E.E. Cummings once said “It takes courage to grow up and become who you really are.”
For many years, I didn’t understand what that meant. But it’s starting to make more sense.
After all, it’s easy to follow a well-worn path, to do the safe thing, or to take others’ advice when it comes to figuring out what we should do with our lives.
But artists seem to find their own way. Artists learn to listen to that inner voice, and have the courage to follow – even if they have no idea where it will take them.
And whether we fall in love with their art or not, we respect the artist within them. Because we see their courage, and that resonates with the artist within us – which wants only to do the same. To follow our own path.
Say hello to Menahem Pressler
Pianist Menahem Pressler has had a remarkable career spanning nearly seven decades. As founding member of the Beaux Arts Trio, he has recorded pretty much the entire piano chamber music repertoire over the trio’s 50+ years. In his 60 years of teaching at Indiana University, he has guided students to prestigious teaching positions around the world and prizes in all of the major international piano competitions.
And now, at age 89, he maintains a performance and teaching schedule that makes me tired just thinking of it.
In this interview, you’ll hear the wisdom and insight he has gained from a lifetime of performing and teaching – and what it takes (and means) to truly be an artist.
In addition, he shares his insights on…
- The keys to preparing oneself for great performances
- And what it really means to be prepared (it’s not just about your fingers)
- What he thinks about while performing (on good days, and on bad days)
- How to deal with critics
- How to deal with the ups and downs from one performance to the next
- How to gain the respect of one’s peers
- And much more…
Download (Duration: 29:08 – 55.9MB)
What was your biggest takeaway from this interview? I’m curious to hear what resonated with you most; share below in the comments!
Want more Menahem Pressler?
Overwhelmed by Pressler’s discography and not sure which recording to start with? Try reverse chronological; here are some brand-new releases that he recommended:
A compilation of Pressler’s thoughts on teaching, technique, musical expression, and practicing – essentially a more in-depth elaboration of everything he touches on in the interview.
One of my favorite parts of the book is a play-by-play of his thoughts and notes on selected repertoire from a Beethoven concerto to a Chopin Sonata to the Ravel Piano Trio.